Sunday, March 19, 2006

It's a shame you went and destroyed the door



I told you it was different...no, just kidding, of course this is me practising Yitzhak's makeup. Yitzhak is played by a woman, so he really needs to have a beard...this is why I do makeup trials, because now I know that I need to make everything darker--I wasn't thinking, yesterday when I was getting my hair cut to save some of the darker pieces. Oh well. I'll just magic marker some of the hair I bought...

I'm not putting a real picture of myself up today because I am scrubby. Sarah-Hed and I spent six hours yesterday sewing on costumes. Thank GOD we had a sewing machine, because otherwise we'd be there still. I think my favourite piece is a corset that I made out of gaff tape. Sarah-Hed wanted a corset, but we had no budget for it...but we had a budget for three rolls of tape. tada! Now all we need is a string to hold it together and it's a fabulous, cheaply made costume. How perfect.

I can't believe that this is the last week of the semester. I feel like I've been working harder than I ever have before--after I finish this I have to do my homework for musical class--and then next week when we don't have classes I'm going to see Assassins so I can write my essay. I have all the research and reading ready to go, I just need to write the damn thing.

Also, do you-all remember me ranting about a play called "My Name is Rachel Corrie" about an American girl in Palestine? I really liked the play, which was going to be transferred to New York this spring. But now the theatre that is putting it on has "postponed it indefinitely" which means, basically, they cancelled it because they were afraid of offending people--Rachel has a very pro-Palestine stance, but she differentiates between the Israeli governement and the Jewish people. The theatre which was due to put it on released a statement saying they had made the decision after conferring with several community and Jewish groups. Which brings up an interesting argument: here in Britain this play was government-subsidised (there is an organisation here called ArtsCouncil which gives out grants to theatres and theatre companies so they can put on work. This means theatres here aren't wholly reliant on box-office takes. so you can do things that are more challenging. The National Theatre, for example, is 70% subsidised.) and in America, where theatres are SO reliant on appeal of plays, they can legitimately say that this show will not be performed simply because it won't sell. Even if there are larger political motivators at work.

Anyway, of course the theatre community is up in alls--and there is a call for short plays dealing with the censorship and freedom of speech issues surrounding this play. So I'm trying to think of something I could bring to a conversation. I feel I have kind of a unique angle on this, since I have seen the play in England as an America, interviewed the "author" and written a thesis on it.

--ooh, that reminds me, I finally got my essay back. B! Go me!

Right. Back to Hedwig. Next up: styling THE WIG.

Saturday, March 18, 2006

The traditional St. Patricks Day After

I wasn't even celebrating St. Patrick's day...just the fact I made it through a long week. The Hedwig team went out yesterday for a pint and, well, long story short, let's just say I'm talking very quietly today. But I had a great time. It was so nice to have a little fun for a change. I went to yoga yesterday for the first time in about a month, which felt really good. I hadn't realised how much I missed it! Then on the way home I stopped at a hairdresser's place and got my hair cut and dyed. It's amazingly different, but I love it. I'll have to post a picture as soon as I get my camera batteries charged. I'm off now to work on the costumes with Sarah-Hed, so I'll update more later.

Tuesday, March 14, 2006

GO!

www.myspace.com/goldmusical

Monday, March 13, 2006

into the ether

I'm very sad to think that Hedwig is going to be over in a week and a half. It crept up on us all suddenly, so we find ourselves in the last haul. I have meetings all afternoon tomorrow up until rehearsal, and I volunteered to sew Hedwig's (pink!) satin robe for the beginning of "Wig in a Box." Lest you think I am a picture of housewife domesticity, I did most of it while Lisa and I watched "Boogie Nights." Am debating taking it to school tomorrow to wow my classmates with my sewing skills again. It's been so much fun working on a show again. I was thinking about doing one this summer--drama in this school is a right pain in the a££, but as long as produciton values are low, you can get away with anything. I'm just thinking how all of the people I have come to know and befriend through the experience are going to melt away in the ether again, and scheming about how to keep working together. There's nothing like a show to for making friends.

"Don't worry, it'll happen. It always does."
"How?! How does it always happen?!"
"I don't know, it's a mystery."
--Shakespeare in Love

Sunday, March 12, 2006

Suddenly routine...

Lest you think I spend all my time pondering weighty political issues, after I posted that I went out shopping with my roommate Lisa. I had a tax refund to spend, and a need for undergarments without cartoons on them. We did Oxford Street, which is the heart of Consumer-Land. After awhile it became kind of a running joke: look at this bag of consumer goods which I have just purchased! Oh, this bag of consumer goods is becoming heavy! (In my defence, I did not buy nine handbags, like some lady who was in the Guardian last week) I found a new pair of jeans, a new top and some unmentionables...I nearly bought a pair with some cherries on them until Lisa SLAPPED them out of my hand and reminded me I wasn't looking for cartoons, remember? Anywho, while we were walking down the street--or should I say, being carried along in the human flood of people--I suddenly spotted a fruit vendor and bought a small sack of dates to munch on whilst we walked. And I was struck by how this seemed perfectly normal. That now I know what a date is, that I think it is a delicious treat, and that I am able to buy them on the street, whearas a year ago they were weird expensive things in the supermarket. Look at me, I'm a city girl. Pffft. :)

Also, check out this flash cartoon...I can't remember if I put it up or not, but it perfectly expresses my feelings about all the bloody pigeons in this city: http://www.albinoblacksheep.com/flash/pigeons

Suddenly routine...

Lest you think I spend all my time pondering weighty political issues, after I posted that I went out shopping with my roommate Lisa. I had a tax refund to spend, and a need for undergarments without cartoons on them. We did Oxford Street, which is the heart of Consumer-Land. After awhile it became kind of a running joke: look at this bag of consumer goods which I have just purchased! Oh, this bag of consumer goods is becoming heavy! (In my defence, I did not buy nine handbags, like some lady who was in the Guardian last week) I found a new pair of jeans, a new top and some unmentionables...I nearly bought a pair with some cherries on them until Lisa SLAPPED them out of my hand and reminded me I wasn't looking for cartoons, remember? Anywho, while we were walking down the street--or should I say, being carried along in the human flood of people--I suddenly spotted a fruit vendor and bought a small sack of dates to munch on whilst we walked. And I was struck by how this seemed perfectly normal. That now I know what a date is, that I think it is a delicious treat, and that I am able to buy them on the street, whearas a year ago they were weird expensive things in the supermarket. Look at me, I'm a city girl. Pffft. :)

Saturday, March 11, 2006

Everybody's Got the Right

I read on BBC.co.uk today that Slobodan Milosovec died in his prison cell. I don't know much about Milosovec beyond a hazy "wasn't he involved in that Bosnian war thingy?" a couple years ago and what the BBC saw fit to include in the article. It mentioned that he was being held in prison for "war crimes" but it also said that he "held office" in Bosnia for fourteen years. Which got me thinking about the nature of power and who gets to wield it over others. Naturally, being me, I started by thinking about Napoleon and how two hundred years ago, you just...you just COULDN'T put an Emperor on trial for "war crimes" because a) the concept didn't exist, and b) he was an Emperor and therefore better than you. But with today's idea of democracy and everybody is equal (or, at least has a chance to be equal) it means that anyone can be held accountable for their actions--well, if your protective shell of government breaks down, anyway. So now we have a man who was "elected" to lead Bosnia being held to account for the war crimes he committed while he was "in office." Being held to account by who? Who gives the judges, the lawyers, the jury the "right" to try him? It feels like (and I'm also thinking of the current issue with Mr. Saddam Hussein right now...) that the "winner" of these conflicts gets to do whatever they want with the "losers..." I can hear people howling--and yes, of course, murderers should recieve justice--but what is it that gives other people the right to bring leaders to account? Is it a moral highroad? President Bush can go into Iraq and say "out out damn Saddam" because he has a moral obligation to? Because "God told me to invade Iraq?*" Because he has bigger guns? Why now? There are no easy answers, and I'M certainly not qualified, being neither an emperor nor a judge, but I can't help, again, thinking of the example of Napoleon. If the trial machine that is currently operating to try Saddam Hussein (and, ostensibly, the one which was set up for Milosovec) rules to excute him...doesn't that make us the same as him? When the US first set up it's governement, this great creaky machine we like to call democracy, the first couple elections (John Adams, Thomas Jefferson) were breathtaking affairs. Mostly because no one knew if it would be a peaceful turnover of power--and the fact that it was was kind of amazing. Think of all the kings and queens who have been deposed at the edge of a sword. Yet, somehow we (Americans) managed to move past all that. Why we now feel the need to put such a final coda on the reigns of the terrible men smacks of hypocrasy. I don't know why I feel the hand of American justice behind these two trials, except at this point we do have the biggest guns--so that must mean we have the moral right as well.

*I wish I was kidding, but this was in the Guardian last January.

Thursday, March 09, 2006

Musicals Run My Life

I was not updating my blog to protest people who don't update their blogs (and therefore suck) but then I realised no one knew it because I hadn't blogged it...and since I wasn't updating I therefore sucked. *sigh*

Having internet in my room I can now finally get the track names for the CDs that I've put into my computer, so today I made a discovery: I was listening to a certain show which has one of the best love songs I've ever heard. Who knew John Adams could be so passionate? I had listened to it before going "who IS this guy? I know this voice!" And today I found out who it was. Imagine my suprise when I realised--well, no, I won't tell you, but I will put a picture up. Prizes if you can guess who this is (and no fair Googling):



Not a lot to report really...I haven't missed much by not blogging...I went and saw "Capote" yesterday. Philip Seymour Hoffman deserved every inch of that Oscar. It rained today, but the rose bush in the quad is in bloom, making me think of John Cameron Mitchell in "Secret Garden" singing "winter's on the wing, here's a fine spring morn..." I think that show was largely responsible for my attitude about England. I was expecing crocuses and majick and fountains of roses...then of course when I got here I adjusted my attitude to include cement and rubbish. I mean, it's just a show, right? But then...yesterday...when I was out walking I saw "clusters of crocus...purple and gold." Can it be long before there are "blankets of pansies, up from the cold...lilies and iris, safe from chill...?" I'm going to go buy myself a bucket of pink roses and scatter them around my room. I need more flowers in my life. The Secret Garden IS such a spring musical...and I guess it's that time of year to get it out and start listening to it. It's only March! But...spring, I say!

I'm also frantically putting my website together so that you can all read my works and things. Hopefully it will be ready to go before Hedwig opens. Then I'm really not going to know what to do with myself.

Saturday, March 04, 2006



*Original pen and ink sketch courtesty of Leigh Kimmel.

Friday, March 03, 2006

IT WAS AN ANGRY INCH!!!

I am very upbeat--strike that, INCREDIBLY NATURALLY HIGH!!! right now because tonight was the first rehearsal with the band. And it was amazing!!! I was a little concerned with Angus' singing, since he's not primarily a musical theatre person (as opposed to Emma (Yitzhak) who IS and can outsing him on the backing vocals without even trying!!) but once we had him in front of a mike all my fears were allayed. It was incredible to get into a room of musicians who were rocking out on the songs--the energy level was through the roof. Myself and Holly (another "producer") were sort of treated to a private concert, and we applauded and cheered throughout the rehearsal. It was pretty rough--this was the first time the band had seen any of the music, and I don't think we got any of the song ends right--but the intent was there. Now if we can just get Angus off book... Another thing that made me happy: Afterward some of the band and I went out for a pint (British bonding) and they told me that they were enjoying themselves and the liked the music, which was thrilling. So often in theatre you get musicians who are doing it for the money, or who are bored with the same old shows, so having a group of people who respond to the music not only as musicians, but emotionally is great. I want this show to be fun. If it's not fun--what's the point? Too often we get into that tech week slog where everyone looks at one another and goes "why are we doing this again?" At first I was afraid that because this show was so unsupported in the college and finding rehearsal space was so difficult that it would be impossible to take it seriously. But now I've learned to go along with the bumps--I'm not so uptight about starting on time, for example (ok, bad example)--and now I find myself with an incredibly dedicated core of people who are all committed and having a blast. YES!! This is what theatre is supposed to be about!! Hedwig lends itself to this "guerilla rehearsal" process very well. I can't wait for opening night. I only wish I could get up onstage myself!!!

Thursday, March 02, 2006

The Unholy Historical Triumveate of Obsessive Interest

"Assassination Vacation" by Sarah Vowell is the one of the reasons why I'm so interested in history. It is an amazingly funny yet in-depth look at three of America's assassins, Booth, Guiteau, and Czolgosz. It is the reason I can spell "Czolgosz" without looking it up. But, last summer I took the hardcover book back to the store because I needed the money. Now, yay, it is available in paperback, so I treated myself to a new copy. I'm looking forward to reading it again and rediscovering what makes our country so damn great. I bought it when I was in the library, working on my essay topic (at last). This may not seem so incongruous, since you'll remember that I am writing about Sondheim's "Assassins," another corner of the unholy triumverate. The third reason is Edwin Booth who is (despite being dead) absolutely fascinating. Edwin understands why I cheated on him with Nelson. We're good now.

Anywho. Class this morning was cancelled, only I forgot until I got to school. Hence me working on my project in the liberry. This afternoon we workshopped a final piece from my classmate Andrew E., which was interesting. I have to admit, when we only got 12 pages I was wondering "what are we going to talk about?!" But it turns out we had plenty--the themes and images that we pulled from his piece were innumerable. I hope it helped. I'm a little worried now, looking at my piece that it's too fluffy and/or autobiographical. but then, aren't they all? Rehearsals for Hedwig and I'm back home. I can't believe it's only nine o'clock. I feel like I've been up for three days. See, this is what happens when I get out of bed before noon.

Wednesday, March 01, 2006

Then I'm not interested

I know modern art isn't my thing, and I think I've figured out why: there are no breeches involved. Breeches (esp. satin ones) may be the sexiest single garment ever donned by man, but they are very scarcely represented in any modern art. Hence, interest: lost. Bare-chested, loin-clothed, full on nakkies? Yawn. Yet, give me an ill-rendered chap in breeches and I'm paying attention.

So today I managed to get to the Tate Modern which is currently undergoing refurbishment. Their entire collection is squeezed into a few small galleries, so you have all the people in half the space. And all my loyal readers know how much I detest a crowd. Add to that, about a dozen over-sugared school groups given the assignment of drawing the Picasso and I was about ready to leave five seconds after I got there. I did stick it out and got through it all (albeit quickly), with a few sit downs to observe people moving through the galleries. The most interesting notes I took were while sitting next to a man who was drawing one of the paintings. A schoolgirl asked him: "Are you an artist?" "Yes." "Are you in here?" "Not yet." You go, Artist Guy. The artist I really responded to was a man named Lawrence Weiner, who does phrases that are printed out on a variety of different medium. This one kind of smacked me on the forehead:

PAST AND FUTURE HAVE IN COMMON
NOT BEING PRESENT

Afterward I stopped in at the Globe, where I was informed by an unhelpful guide that I could buy a ticket for a tour and get the exhibit for free, but I couldn't go into the exhibit unless I went on the tour. When I tried explaining I had done the tour (I didn't mention how useless it was unless you're a total pleb) and didn't need to go again, he just stared at me blankly. Moving onward at a brisk pace to keep warm, I did the Clink Museum which was okay interesting. There was FAR too much reading on each wall, and the exhibits looked a little melty-dusty. I also didn't appreciate the "kids involved!" things to do which suggested: "Think how much it would hurt to sit in an Iron Maiden!" "Stand in the Iron Maiden and have your picture taken!" I enjoyed the brisk sea air off the Thames ("O water spirits, console me!") as I trotted onward, and finally landed at London Bridge. It was too cold to really enjoy Southwark, but at least it kept most of the tourists at bay.

Here is a sample of Weiner's work. Note the absence of breeches:

Tuesday, February 28, 2006

But a love can be misplaced

I felt really stupid in class today. We had a guest speaker who hit us with all of these pieces of theatre criticism, in class, and so, being exposed to them for the first time, I felt like I had nothing to contribute. Luckily, he gave us a huge stack of things to read, so now I can catch up, but I really did feel stupid sitting there. I cast back over my education and though, "where would I have missed this?" Obviously, I have been exposed to a wide variety of theory, but just not the things we were handed today. So, through no fault of anybody's, I feel really dumb. Getting through high school, where I was told I was inferior because I couldn't do algebra (but who cares?! really?! when you get right down to it?!) I have overcompensated by going out and getting myself ridiculously overeducated. I'll be the first to admit it. And I'm going to be even MORE educated, because I'm determined to first plow through this stack of essays and then read the books they're from. It'll be my Lent thingy--
I shall give up ignorance. (but not my love of the dramatic) :)

It was sunny and snowing today, and I slept until noon because I was having sweet dreams. The door to the main building is too narrow: Why do they have two doors and only let us use one so there is a constant traffic jam? And why does that annoy me so much? Why am I so unsettled today? I'm glad that we had a music rehearsal tonight so I could sit there and read instead of transferring angst to the actors. After rehearsal I went and visited the Lisas who were very nice and let me vent my spleen at them for a bit and then we watched a TV show, Little Britain. It's a comedy series with a bunch of short sketches lampooning British people, and it's pretty funny. My favourite line was, "but you said you don't like dark chocolate, you said it was too bitter and lacked the oral ecstasy of its milky counterpart." Why can't I write like that? So I'm calm, cool and collected now. Checking email at midnight after a hot shower, yay. Tomorrow, more museum therapy, this time the Tate Modern. Apparently John thinks my project resembles expressionist paintings, so I'm going to go look at some tomorrow and hope it inspires me.

Monday, February 27, 2006

Michael Cerveris is a Sexy, Sexy Man

This, my fellow academics, is a plea for help. I have an essay due for my musical theatre class on April 24. Since I'm going to Greece, however, I want to get it finished by the 11th of March. But, the problem is, I don't have a topic. I know that I want to write about Sondheim's Assassins, maybe something to do with the inherent "American-ness" of the piece, i.e, is there something so American about this play that to perform it overseas would prove futile because foreign audiences can't relate to it? Or are there larger themes--and if so, what are they, and if they are there, are they echoed in any other foreign shows?

At least, that's kind of what I want to write about. If anyone has any suggestions or ideas, I'd sure appreciate a boost. The Donmar Theatre premiered it in 1992 to fairly good reviews, and there's another one opening in March (which I am going to, come hell or high horses) but, reverently, the Donmar is small enough, popular enough and "fringe-y" enough that it can pretty much damn the torpedoes and pretty much do whatever the hell it wants. Although it might be interesting to compare the reviews here vs. the reviews in New York. "Michael Cerveris is a Sexy, Sexy Man" is not, however, an acceptable essay title.

In other news, Hedwig rehearsals are continuing apace. We've added Yitzhak to the mix now, and having a new performer in the room completely changes the dynamic. My final project slogs onward despite the Muse's attempts to lure me back to bed. Not sure if what I have is high art or just mush. And my stomach keeps growling, even though I fed it lovely roasted eggplant--a receipe I learned from my Greek partner Nico. Laura's the cook, but this one's so easy I thought I'd share:

Slice one eggplant, put in roasting pan. Add zucchini, onions, peppers to taste. Drizzle generously with extra-virgin olive oil. Cover with tin of diced tomatoes (Sainsburys has flavoured ones: tonight I used the garlic and olive oil) Bake for 45 minutes to an hour at 200 degrees Celsius (about 390 Fahrenheit, I think) Add cheese five minutes before you're done and let melt--feta is good, but Red Leicester is also good. Add oregano. Lots of oregano. Handfuls of it. Greeks love oregano. Serve warm with bread and butter or over rice. Try not to think about how good a brat with all the trimmings, baked beans, cheese curds, Point beer and Mackinac island fudge ice-cream would taste right now. Resolve to continue vegetarian lifestyle. Remain strong as roommate maliciously waves bacon cheeseburger under your nose. Console yourself with (slightly hard) home-cookies. :)

Sunday, February 26, 2006

halllujah!

I am writing this to you all from my room! That's right, we got the internet hooked up--AT LAST! Lest you think that Goldsmiths took pity on us, no, it was the concerted efforts of my hallmates and I to get a line run to my room, to buy a router, to set up our wireless cards and connect to the provider. Yet, somehow, we managed to do this in a quarter of the time it's taken the school to install lines to our (still empty) "computer room." So, huzzah!

Yesterday I went out and did "research" for my final project, which consisted of me going to a museum and then to a show--not a stretch you might say, but I spent a great deal of time observing people around me. I went to the Museum of London which is a huge building for all the odds and ends (and people) they've pulled out of the soil over the years. Here I observed several children not fully appreciating the scope of the Great Fire of 1666, which led me to conclude that perhaps THEY should be locked in a burning thatch house and THEN...no, no, no, we won't get violent. They had a diorama and some preteens thought it would be funny to jump in and scream "BOGEY!" while we're all watching London burn in the dark. Mamas, don't let your children grow up to be a££holes...The funniest thing I saw was an unexpected piece of china which declared "Wilkes and Liberty!" and got my hackles up for a minute until I realised it was commorating John Wilkes, the English patriot who went to jail for breaking a law banning freedom of speech and was denied a seat in the Houses of Parliament, even though he was elected with something like a 90 percent majority.* Oh, and he was also a namesake for a certain 19th century assassin, but that's a footnote.

Then I went to see "The Woman in White." I had seen posters advertising it was closing, so I thought I better...I didn't realise it was THE LAST performance until I got there and the lights went down. I was sitting so high in the theatre that I didn't realise the older sister and the woman in white were two different people until they appeared onstage together during the second act. (the angel Gabriel actually tapped me on the shoulder once or twice and told me I was blocking his view--THAT's how high I was.) I was so annoyed by the scenery that I enjoyed the show less than I would have. The set was a semi-circle of screens that revolved and were projected onto...having such realistic sets and costumes and computer generated backdrops in a Victorian show was really incongruous. The show itself I thought was fine--the biggest problem was--IT WAS TOO BIG!! What's the matter, Mr. Lloyd-Webber, to ashamed to do something in a black box? Which is where this show rightly belongs. You could do it with eight people and an orchestra of six. (I figured it out: if anyone wants to mount a production, send me an email.)

Right. I have some naughty photos to download in the privacy of my own room. Ta!

*Good Lord, is that one sentence? God bless the comma.

Friday, February 24, 2006

the hell?!

Naturally, even though I have My Yahoo set up to give me all the headlines, where do I head first? "Dear Abby" and the Broadway section. Yahoo tells me today that the shows opening on Broadway soon (i.e. eligible for the Tonys) are:

1. A musical based on Disney's Tarzan--and starring some guy from "American Idol"
2. A musical based on Anne Rice's Lestat, apparently in trouble
3. A musical based on Johnny Cash's songs--but not an autobiography!
4. A musical based on the movie the Wedding Singer (although "totally different")
5. Pajama Game--a revival with Harry Connick Jr.
6. Threepenny Opera--another revival
7. Hot Feet, a musical using Earth, Wind and Fire's music and based on "The Red Shoes."

and finally, the only new show...

8. "Man in Chair"

Which is the only show that sounds remotely interesting!!! I mean, COME ON!!!! Speaking as someone who has recently seen several new musicals (granted, all of them in need of major re-writes) and who is a HUGE FAN of the musical theatre genre I am MORE THAN A LITTLE UPSET at the fact that Broadway can't be bothered to come up with anything more interesting than back catalogues and recycled movies! Now, I loved "Dirty Rotten Scoundrels" as much as anyone, and yes, I paid to go see "We Will Rock You" but this is just ridiculous. I also read in the Guardian recently that people were lining up for three hours to get tickets to "Spamalot" which is opening here--IN OCTOBER. Geez. Most shows are based on some source material (Phantom, anyone?) but come on--the Wedding Singer?!

I don't know what it's going to take to build a new show that is musically interesting, dramatically challenging and yet commercial. Apparently an act of God or something. Maybe I'm just spoiled--maybe there are brilliant little musicals appearing in American I haven't heard about. I doubt any of my loyal readers have heard of "The Ballad of Elizabeth Sulkymouth" which was fabulous. And, speaking of commercial theatre, Andrew Lloyd-Webber's "Woman in White" is closing soon so I'm going to try and go see it tomorrow. (he hasn't responded to my letter yet, which gives me hope that he took it to heart and is really working on not sucking.)

There is a sense that musical theatre is "popular culture" which is true. But because it falls under that genre it needs to appeal to non-theatre people. Also--musicals are usually more expensive and so need to bring in more punters, which means non-theatre people. But why do people write musicals for non-theatre people? What's wrong with writing something for those of us who ARE theatre people and who DO love musicals? Is it possible to do something that is dramatically astounding because it simply IS and is also a musical? I think of the Tonys: the musicals get to perform a song or something from the show, the more "serious" shows--straight plays--get a nod or maybe a montage of lines from an actual production. Too dignified--or would that simply not appeal to middle-class America who is paying for the commercials? Perhaps we should just say to hell with the categories and have "BEST SHOW PERIOD." It brings to mind when Disney's "Beauty and the Beast" was nominated for Best Picture--it didn't win, and then the Academy felt a need to create an animation category. Who cares what the genre is? I just want to go see good shows. damnit.

Thursday, February 23, 2006

What do you do when your project is done?


Practise make-up for Hedwig, of course! Our costume designer was looking a little frazzled, so I offered to take on the task of designing and doing Hedwig's makeup. Hopefully it will look better on Angus, since he's blond and his eyebrows won't show up as much. But I had a lot of fun, regardless. Note: If you are ever in London and need make-up, the Charles Fox store in Covent Garden is a HAVEN of COSMETICS.

It's been really rainy and chilly here lately, so I have been spending a lot of time en suite. (that means in my room) I finished my dramaturgy portfolio and handed it in this morning, and I've been revising "The Glass Eye" and, in my free time, doing laundry and CLIMBING THE WALLS. I watched TV for about ten minutes this morning, and it informed me that Iraq was on the verge of civil war, so now I am also having angst about that. (it's a testament to how truly multi-faceted my life is that I was talking about Hedwig and the Angry Inch and now I'm on to Iraq...)

Sometimes I feel very disconnected from what is going on in the rest of the world--which is odd since I'm here in the newspaper capital of the universe. It's hard to remember sometimes that America is AT WAR, even if it hasn't been formally declared. I feel like I should be planting a victory garden...or donating my pot (I only have one)...but then the President says the best thing to do is to buy stuff and get the economy going...to which I reply, "But Mr. President, I want to buy a Japanese car because it gets 30 miles to the gallon..." and then I feel guilty because I am taking jobs away from the American people by not polluting the earth. This being a liberal, it's a problem.

"I'm going to go to the library and sober up!" --me, Tuesday night

Sunday, February 19, 2006

library=sucks

I'm a little po'ed that the internet connexion here makes my computer crash evey three minutes, so I still have to type on the library computers.

Also, why are there no American plays after 1985 on the shelf, but I can get a copy of "The Iron Chest" which was published in 1796? It took me three weeks to get a copy back home...and now when I have a hankering for Kushner, nada.

Oh, and it's raining and I twisted my ankle. stupid sunday afternoons.

Saturday, February 18, 2006

The Longest Post Ever

[18 February 2005: the following is from a notebook I carried around with me all day yesterday when I was in Portsmouth. I thought I’d type it up so you could read it—it’s EXTREMELY long, but I thought you might find it interesting. I suggest reading it throughout the day, so you can get a sense of me walking around, then sitting to write, then moving around again. Anything in brackets is something I added today to explain, but other than that it’s verbatim—symbols, spelling errors and all. Each paragraph is a new page. Portsmouth is a small town on the southern coast of England, with a deep harbor. There has been some kind of dockyards there since the 1400s, and the Navy still has a presence there. I visited the historic dockyards, where the HMS Victory, the HMS Warrior and the Mary Rose are docked, along with a ton of museums, souvenir shops and family attractions.]

17Feb06

8:20
Well, it took me like 7 hours to get a train, but now I’m happily speeding towards Portsmouth. LOVE trains. Was thinking how Napoleon [I just finished one of his biographies] spent all this time & energy bringing the message of “La Republique” to the masses—and now we see him as a madman. Of course, at one point he became Emperor, so people had to follow his lead, but his early years are faintly reminiscent of G. W. Bush. Spending money + lives. The difference, of course, is Democracy (viva la republique!) and instead of handing Bush unlimited power, we’re going to kick him out of office in three years. (not. soon. enuff.) So. –oh, & public sentiment, of course, is AGAINST our beloved emperor [emperor with an ironic strike-through] president. We don’t see it as our duty to bring democracy to Iraq. I wonder if that’s just laziness. Could

Be another symptom of the lethargy of politics—a stronger symptom of the thing which makes people not vote. If people are flooded with new ideas & new freedoms, they are surely more galvanised to act. Witness the French c. 1789. Witness the Iraqi people c. 2005. I’m not saying Bush is Bonaparte ‡ Napoleon. [I distinguished Bonaparte the general from Napoleon the emperor, as did the author of the biography] I’m just thinking how he would be if he were an historical figure. Would he be in power? Or would he be overtaken by the kind of men who put him in power? Back then it sounded like there was let politicizing, more coups—well, you know what I mean. Speaking of George—[censored] pain in my right side again. Had some toast & peanut butter & coffee for brekkies, but hungry again. Not enough sleep last night. When I got

up (scribble) it was cloudy & I thought “figures” but now it’s sunny [it was sunny all week] …ah sun. We just went into a brick tunnel—covered with ivy. Oh, look, pretty countryside. Ah. Anyway. Napoleon. What kind of man would he be today? Somehow I doubt he has the temperament to be a politician—he was a soldier 1st, wasn’t he? Probably more akin to a clan-chief in Iraq…one of the mullahs, perhaps who incites such fear, loyalty + violence. Wellington [British general who defeated him at Waterloo] said that Napoleon on the field was worth 40,000 men. Could you imagine? Imagine a modern leader who would A) lead and B) be so inspiring it could double or treble a force? *sigh* But then of course we’re talking about pitched battles w/humans & not planes + tanks, are we? So maybe all this speculation is stupid. After all, history has moved on, hasn’t it?

And how. There are similarities though. Just as there are similarities between Bonaparte + Bush, so too Napoleon + Saddam Hussein. Let’s stick HIM on a small island somewhere. Ha. Napoleon didn’t recognize the authority of the English to banish him either. And Saddam may have a point. Who has the authority to try the heads of state? Apparently—other heads of state w/more firepower. We need a “council of Kings” or something—a tribunal of retired presidents and (scribbled over misspelled word) ministers perhaps, Jimmy Carter & Nelson Mandela. Where do I fit into history? I have no desire for

power. [fame and glory: yes, power: no] If I were a woman 200 years ago—I suspect somehow I would not be easily married off & what else is there for women to do? Write & travel, apparently. J How different would things be if I had married by now. Wow. That’s what I should do: find me a politician & if he ever got out of hand I would remind him of L’Empereur & Bush II.
9:50 AM
Well, I’m here! I know—already?! Train much faster that expected. Portsmouth is not what I expected either—it’s more, ah, dunno really, industrial? [looking back this makes sense—this IS where they build ships, after all] The tours don’t even start until 10AM… if I’d’ve known that, I would have slept another hour. Ah, well. But there is a very strong sense of SHIP HISTORY! here—a conscious effort. There’s a stone chain path in the flagstones to lead you to it all…right now I’m sitting on a bench (which has a

“wavy” pattern…) looking @ the HMS Warrior—Britain’s 1st metal ship, according to the sign. It’s a proper ship, I think, not retro-fitted like the Merrimack or the Monitor…or were those steam powered? Gah, can’t remember. I think it’s funny that when I was younger my parents dragged me to all these historic sites & I had v. little appreciation for the scope of them until now (Ford’s Theatre, anyone?) –and now here I am inflicting history on myself. J I can see the Victory’s masts from here & feel the familiar sensation of geekery coming on…the HMS Warrior has a figurehead. I wonder when they stopped doing that..
10:15
[having bought my ticket and walked about two blocks to where the Victory is] First impressions—It’s really small! (as with all celebrities) I mean—damn—It looks like a toy. People fought in this thing? Well, it’s clean, of course, &

brightly/freshly painted. There are ropes EVERYWHERE. To support the masts…in case they were shot off? Dis-masted. [yes, and also to take the weight of the wind under sail, as well as allow access to the sails: dismasted is one of my new favourite words] It’s hard to picture a battle. Smoke, I know that much, and it would be louder, louder than I can imagine it. Screams, cannons, guns, all on top of normal ship noises: canvas, ropes, wood creaking…I think she’s dry-docked. That’s deeply disappointing. Right. Well. Let’s go see where Nelson got shot.
1PM
I was going to eat at the Ship Anson down the road—but when I walked in the door & was greeted by a couple dogs (to which I bent over & offered my hand—they were puntables [very small, shi tzuhs, I think]) some yob @ the counter beered out “Watch yer fingers!” [Like I had never petted a strange dog before. Jerk.] At which point I thought: Yeah. No. Ignoring me is better than letting your

customers shout @ me. Well, anyway. Now I’m @…the Emma Hamilton. [Emma Hamilton was Nelson’s mistress for the last seven-eight years of his life.] Mmm…hot beef sandwich--£4.50 & a pint o’ Scrumpy Jack. Wanted fish & chips, but £7.00? Nu. But, okay. The Victory was WICKED cool—once I got onboard, it really hit home how (okay, there are pictures of Nelson + Emma on every available wall. Altho “Eye of the Tiger is playing. Woot.) crowded & close the quarters were. Me, at 5’7”-5’8” could clear the beams on the (hang on, lemme get this right) [they gave us a map of the ship with the names of the decks on it, I consult it here] orlop, lower & middle gun deck, & the hold I was stooping. [the decks are, from bottom to top: hold, orlop, lower gun deck, middle gun deck, upper gun deck, which is out in the open, and the poop deck, which covers the back quarter of the ship—admiral’s quarters] So you gotta figure the men were smaller than me. Except apparently, for Admiral Hardy who was 6’4”. [and only a captain in 1805, my bad, he became an admiral later] SO COOL! aw, so much history! I love it! (O, hey “99 Luftballons—haven’t heard this one in awhile)

Mm. Good sandwich. Then, below decks they had a spot—on the orlop deck, had to check—where Nelson fell. [I mean died, my bad—he was shot above decks] It was kind of eerie. The orlop, my brochure advises [advises is crossed out] informs me, is below the waterline & therefore safe from enemy fire, so it’s where the surgeon had his operating room during battle. (note: on display: 1 bottle of anasthetic, 7 saws.) You could see how Nelson was brought down here & put aside so the surgeon could work & keep an eye on him. The painting on display was not entirely accurate—the ceilings were much higher than they were in real life & I don’t think Hardy was there when he died. [The painting they showed was the winning entry in a contest to portray the death of Nelson. Next to it was the beam he was lying against when he died with a gold laurel wreath and “HERE NELSON DIED” on it. Next to it was a water barrel, which was how Nelson’s body came home—preserved in brandy. Not sure if that was THE barrel or not. They weren’t shy about the great Nelson here: this spot is marked as “the shrine.”] Anyway. Everytime the landlady says “My Love,” I think of Mrs. Lovett [from Sweeney Todd] --& she does it

roughly once per sentence. The ketchup packets say “Sachets of Excellence,” which is funny.
The kids running around the Docklands are driving me crazy—but I guess I shouldn’t begrudge them (see. earlier. entry.) Maybe when they come to the U.S they can geek out about Washington, or Lincoln. I don’t mind. I’ll share.
Maybe if I get a dog I could name it “Orlop.” Haha.
After the Victory I saw a sign for the Mary Rose Museum &, being naturally curious, I went in. A nice lady handed me a recorded museum guide & I went into see the Mary Rose…which it turns out was Henry VIII’s flagship that sank in 1584—no, 34? I’ll check…1545. Okay. So now I’m standing on a

balcony overlooking the rotting-being restored-remnant of the starboard side of this ship. My jaw absolutely DROPPED. I mean—this ship is 500 years old! And then when I went through the museum & looked at all the artifacts I only became more impressed. [The Mary Rose was heading out to engage the enemy (France, naturally) with all her gunports open when she heeled over too far in the wind. Water poured in and she sank quickly—as the king watched. 500 people died. The ship came to rest on its starboard side, which filled with mud and thus she was preserved.] Wow! All the things they recovered—clothes & weapons & plaes. Pins & needles & dice the size of my little fingernail. The kids were legion—this museum was aimed @ them—and there were costumed guides walking around. They had a “try-on-Tudor-clothes” exhibit & I was DYING to try on Henry VIII’s getup, but I figured walking around the Victory w/my left hand in my pocket was enough. Strumpy Jack…affecting focus…but, yeah, the Dockyards

are WELL brilliant—I’m going back now. Well, a ticket + brochure was £19, so you betcherfur I’m going to get my money’s worth. Now I’m off to see the WWII cruisers—oh, and the H.M.S Warrior, I suppose. J [turns out the “WWII” cruisers were actually Navy property—on their base and definitely off limits to tourists. They might even have been commissioned ships. So I took a couple pictures and left it at that.] And then, of course, the Trafalgar Museum.
Right. Better get going.
I leave a drink of beer in my glass-for friends who are not here. Miss you all.
2:10
Compared to Victory, Warrior is huge & clean & spacious—I can walk upright w/out fear of hitting my head. [HMS Warrior was built in 1860—a hundred years after Victory—as a deterrent to Napoleon III. It worked—Warrior never fired a shot. Ten years later she was outdated and turned into a training school, then an oil “hulk”—a storage container that could not move under its own power. In 1968 somebody realized they had the last remaining Victorian ship storing oil and it was bought and restored. Warrior has a steam-powered propeller, but it was not fuel efficient, and so she used sails when not needing to move in a hurry.] The guns are enormous—breech loading. It’s all very tidy—this ship was restored in 1979, not refit like Victory. Think I prefer V. [V. for Victory—at this point I’m literally walking around taking notes] The gun ports have numbered buckets for fire—order & empire instead of V’s “GR” [George Rex—King George III] leather buckets.

Pewter tin? plates instead of wooden trenchers, but there’s still a bucket for tobacco juice…the implements are still the same: ramrod et al. [It struck me how things looked the same, only the materials and level of quality had changed—tables hung by metal strips now, instead of ropes, oil lanterns instead of candles] It’s very industrial & clean—all stations are identical. This is hip is an odd combination of steam & sail. Poor sail.
2:30
Something else you didn’t see on Victory…a room w/iron bathtubs & washing machines w/mangles. Everywhere, cannonballs as big as bowling balls, painted red. [compared to Victory’s softball sized ones, or Mary Rose’s cannonballs which were stones chipped into shape] Little girl asked her mom why they’re red. Mom: “Good ? I dunno. Maybe these’ve got more powder in them…” Cannonballs don’t have powder, but, a certain size? [to be identified more easily] Then again, it might just look nice. Stupid Victorians.
3PM
Found a kindred spirit on board the Warrior: apparently the cannonballs are painted red so they don’t rust. [Murray, a volunteer guide who’s worked on the Warrior for 13 years and who keeps interrupting his stories to encourage small children to try out a hammock, also informs me that Prince Edward, Queen Victoria’s son, sent Warrior as an escort to pick up his bride, Princess Alexandria, from her home in Norway. (I think it was Norway…) The Princess was so impressed with the ship she sent a letter to the captain telling him so, and he had a special engraving put on the ship’s wheel: “The Princess is Much Impressed.” I spent a good twenty minutes talking to Murray, who finally had to go excuse himself and extricate a small child from a hammock.]

5:55
[riding home on the train] I can’t believe it’s 6’o’clock. I spent all afternoon wandering in + out of the Royal Navy Museum and the shops…they had an exhibit with a waxwork of Nelson & SO MUCH NELSONIANA…[mostly collected, I learned, by an American and donated in the 80’s] I mean, it was just too much. The NMM [National Maritime Museum—I recognized some of the artifacts which had been borrowed from the Docklands] exhibit was at least somewhat balanced, but this was WAY overkill. I kept thinking…”he’s just a man.” [Nelson’s last words were: “Thank God I have done my duty.” Duty. He did what he was told…well, no wonder the nation’s so grateful] Yeah. I was excited to see the Victory et al. But really. It was too much. If there’s one thing I’ve learned from all of my travels & reading, it’s that you can’t live in the Glorious Past—as much as the present sucks… You gotta do it. Although, clothes from back then were more fun. Anyway. I hope I’m “Nelsoned-out” because I’m exhausted. As the museums were closing & people were hitting the shops there were SO MANY

kids… then I went to Gunwharf Quay—an outlet mall. [with a hugely inappropriate name, I thought, haha] Nelson DIED so I could go shopping!!!!!!! J But as I was walking around, I started getting this headache…ugh. I really want some ‘feine. [caffeine] Been a long time since that morning cup of coffee. Stupid. Kids. I moved carriages because the other one had a pack of pre-teens in. But now there’s some under-10s…could be worse, I suppose. I could be their parents. J I didn’t but [buy] anything at the museum except 4 postcards and a little pewter statue of Shakespeare. [Going to start a collection.] Why he’s in a museum about Tudors, I’ll never know…I alfo bought a bag @ the outlet mall—it’s bigger & the strap is longer, ‘cos I don’t like the one I’ve been using. Need more room for my writing. So…day’s expenditures…£19 entry fee, £7.50 lunch, £1 postcards £Shakespeare

£1.60 card. Hm. Seems I spent more. [yeah, I forgot train fare--£20] Would have spent more on a model or something useless with the Victory on it, but I couldn’t find anything random enough. I think it’s interesting that this country can caricature Shakespeare out of all proportion, but the only souvenirs you can buy of Nelson are appropriately dignified & expensive chyna. Bad headache. No Coke. At least I’m not hungry. Wow, what a good day. So exhausted. I’m going to sleep good tonight.

[Thus ends the day’s doings. I forgot to write about seeing the Victory’s foretop sail from the battle of Trafalgar, which was in a long low black room. You could see the cannonball holes and the rent from where the spar broke. (Or was it the boom? I’ve learned more nautical lingo in the past day than in my entire life.) Again, it really brought home how violent these battles were—cannons, damn. They also had a video playing of a re-enactment battle which pretty much visualized for me my earlier musings: crowded quarters, smoke bringing visibility down to nil, noise, fire. The Victory is still a commissioned warship, with a Navy captain and a crew—as opposed to Warrior which is a tourist attraction. (Although, since the Warrior is in the water, she does have a captain and skeleton crew) The Navy also had a building called Action Stations, where kids could see what it was like to “feel the excitement and danger of today’s Navy!” I tried not to be cynical—after all, I was there to geek out about Britain’s greatest naval triumph—but “get ‘em while they’re young!” did float through my head once or twice. And for all my moaning about kids, I thought it was great they had all that stuff for families to do. Although, if I bring my kids—I’m DEFINITELY going to know why they paint the cannonballs so I can give the right answer without having to look stupid.)

Thursday, February 16, 2006

THE TALE--ATTENDED!

Oh My WHAHHHH!!! I know you have all been patiently waiting for my review of my Sweeney Todd CD, but I thought I'd wait until I saw the show, which is still touring around England. So I went tonight with Lisa and Alison. OMG!! WOW!! It was incredible! If you would have told me: okay, so we're going to have people pouring blood into buckets to symbolise death, and in the second act instead of a real barber's chair we're going to have a small child's coffin, oh, and the Judge and the Beadle are going to go out for a pint and a trumpet duet and by the way, do you mind if Toby treats his violin like a teddy bear? It was incredible. I mean, really. I know it sounds weird--instead of having Anthony and Joanna running crazily across the stage frantically trying to "escape" from the guards of the lunatic asylum, they sit down and have a cello duet. (KT! YOU can play Joanna!) For example: at the end of the show, you need a body for Sweeney to cry and have angst over, but once he recognises her, she's just a prop. So why not have her get up and play the clarinet? Some of the singing was a little off-key--the guy playing Sweeney was a TV personality from the 80s, but the show was so CREEPY so WELL PLAYED. There was a point where Antony was playing piano, and then he had to jump up and run into a scene and Toby was right there to jump onto the piano and keep it going. The sheer blocking of the props and instruments was incredible. The only set piece was a black wooden coffin on a pair of saw horses that got moved around and adjusted so it became a table, Sweeney's parlor... I know it sounds really weird and odd, but the effect was overwhelming creepiness and horror at this world--what the whole intention of the show was, right?

So the CD is of course a record of the show, but it doesn't do it justice--the live show REALLY shows the advantage of having people playing their own instruments. Practically the whole reason why I bought the CD was Michael Cerveris, of course, and he does not disappoint--he's got that smoky baritone that I first fell in love with on "Assassins." And of course you can understand all the words--during the show Sweeney's breakdown meant we lost a few important lyrics. So: Definitely buy the album, but GO SEE THE SHOW BECAUSE I CAN'T DESCRIBE HOW COOL IT WAS.

Riding home after the show I was leafing through the program and we were all chatting loudly about our favourite parts. (which caused a few raised eyebrows: "Remember when he sliced up Mrs. Lovett? Damn!") I was reading about the real Sweeney Todd and I piped up: "Wow, 1801! That's when Nelson was around!" thereby neatly colliding the things I'm currently interested in, and Alison, without missing a beat said: "Maybe that's what happened to his arm!" At which point I collasped in laughter. Could you imagine? Scene: Nelson patting his face with his left hand: "Wow, that was a really good shave! I'm going to have to remember this guy...hey, wait a second. What the hell--?!" hahahahaha.

So that's Sweeney, signed and delivered. Can't promise I won't write any more about it, but maybe not for a while. Tomorrow I'm going down to Portsmouth...to visit Nelson's ship. :)

Wednesday, February 15, 2006

Once on my Computer

The exciting thing about this post is that I am writing it from my own computer. Today I went down to Tottenham Court Road (you know, where Cats took place) and bought a wireless USB thingy. So now I can surf wherever there's a wireless signal. Right now I'm hanging out in Lisa's room, shamelessly pirating a signal that's been floating around.

I haven't been doing much this week except catching up on sleep and working on Hedwig rehearsals. I've been working this week with Angus, who is playing Hedwig and who, thank God, takes direction incredibly well, which makes my job a lot easier. He's also a stand up comedian, so he's comfortable with crowds and hecklers.

I have been reading a lot, making sure to keep busy learning new things. I have a portfolio due on the 23rd, and I emailed a rough first draft of my final project to my prof. So with no direct pressure to write I've been finding other ways to keep busy. Last night, for example, the Lisas and I went out for dinner. I'm going to sue the restaurant though--they didn't give us a candle because we were three beautiful intelligent women instead of some snoggy couple. Blech. I went to see a show tonight--a new musical called "The Ballad of Elizabeht Sulkymouth" which was very good. The music was incredible, even if the story was a little weird. I'm also reading a biography of Napoleon, then next up is a history of India and then a biography of George Washington (the only Founding Father I don't want to string up by his ankles.)

And the big exciting news is that I booked tickets to Athens, as in Greece, for the end of April. Lisa and I are going to visit Lisa, who will be visiting home while we're there. I'm so excited to see all the ancient Greek theatres, read Plato on the beach and eating lots of Greek food. Mmm.

Monday, February 13, 2006

Things were very historical

Does anyone remember Three Dead Trolls in a Baggie? No? Just me then. Well, I found a video of "The War or 1812" and I thought I'd post it since I'd forgotten how funny this song is. Eminently appropriate too, since I'm dressed as Napoleon today. Whoohoo.

  • The War of 1812
  • Sunday, February 12, 2006

    Pounds of Rain

    "Well, it changes every day, you see." --HP ...hang on...went to type in the "number" symbol and it's not on this keyboard. It's the £ sign... #...oh. Apparently in Britain you have to type alt-3 to get "#." The funny thing is, they have the $ sign on the number four key. Weird. Anyway. What was I talking about? Oh, right. Honestly, you spend one measly little hour on the internet, and the next thing you know you're looking at random photoshops like this one:



    I spent all day yesterday in my room working on my dramaturgy portfolio. I have to hand in a 7,000 word portfolio on the 23rd, a first draft of my final project (or "dissertation" as I like to call it, to give me some "street cred" amongst my fellow masters degree "homies") on the 16th, and apparently someone wants to do one of my plays now, so I need to look at "The Glass Eye" again. This week is reading week, which means no classes, so I can sit in my room and write all day. And climb the walls when I get bored. I mean, don't get me wrong, I love to write, but when I write I need to have a little caffeine or something, and I can't have music or else I get distracted and sing along, so it's me...in a very quiet room...typing (or, more often than not, not)...with my heart speeding along because I've drank four cups of coffee...overwatering my plants and eating for something to do and wishing the stupid temperature would warm up so I could open my window and air out my room. I am having Hedwig rehearsals all week in the afternoon, so that'll give me something to do, and I've got a list of plays I want to go see. Including, haha, I know you all were wondering when I'd mention it, "Sweeney Todd" which is still touring over here. I also, just to really drive myself crazy, bought one of those "Tippoo's Tiger" paper models the last time I went to the V&A (they were on sale for #5, wait, £5) so if it keeps raining maybe I'll try putting that together. And you'll find me in a pool of coffee and paper shreddings in a week from now babbling on about Englishmen in India.

    Friday, February 10, 2006

    yayyy!!!



    Today was just like Christmas! I woke up and did some grocery shopping, and when I got home I had two packages waiting for me! yayyy!!! One was a box from my parents--all the bits and pieces that wouldn't fit in my luggage from Christmas, lovingly wrapped in a protective layer of chocolate chip cookies. yayyy!!! And the other one was Sweeney Todd with Michael Cerveris!!! yayyy!!! Unfortunately, he was not wrapped in a protective layer of chocolate chip cookies, but it is still a very good recording. I'm about halfway through it, so, full review to follow. yayyy!!!

    "You know, I've always said what separatets a good eulogy from a great eulogy is the rhyme scheme. Anybody can eulogize A-B-A-B," but it's a speical kind of Sondheimian gift to go A-A-A-A."
    -Jon Stewart on the Daily Show talking about the Rev. Lowry speaking at Coretta Scott King's funeral.

    Thursday, February 09, 2006

    The cinnamon was actually BASIL!

    If I am late for my afternoon class it will be because of this silly flash cartoon which you should all watch because it is very funny.

    http://www.albinoblacksheep.com/flash/shavecut

    the end

    Wednesday, February 08, 2006

    Nelson is Our King*

    *sung to the tune of "Weasley is Our King."

    On a lark I went to the National Maritime Museum in Greenwich and applied for a job as a gallery assistant--you know, the people in the uniforms who make sure you don't get up to nothing. I applied at the NMM for a couple reasons: it's close to school, it's all historical and stuff, and they have Nelson's pants.

    The "recruiting night" was held in the Queen's House. So I go in and they hand me an application and tell me to fill it out in this little room off to the side. It's maybe twelve feet by ten feet, full of people like me who are filling out applications, and, because this is an English musuem, there are original oil paintings on the walls. Which I am getting used to by now. But as I'm looking around the room I realise: Nelson in full dress uniform. Nelson dying. A 1880s woman showing her son the portrait of Nelson in full dress uniform. Nelson dying again. A HUGE Turner showing the battle of Trafalgar. A smaller picture showing the battle of Trafalgar. Nelson dying. All originals, all crammed into this little anteroom. I start to snicker under my breath, because while I may be preoccupied with Nelson, I am clearly out of my league here. I also saw a shop advertising "Nelsonania" which made me laugh out loud. I mean, I've heard of Lincolniana, but then again, Lincoln FREED THE SLAVES. Nelson just...died. In an appropriately beautiful Greek manner, apparently, but still.

    Anyway. We'll see if the job pans out or not. Last night I went to see a play called "Ashes to Ashes" which was a non-uplifting piece about the Holocaust. AFterward there was a talk-back and the playwright/director said he wanted to make the audience uncomfortable for an hour, to give us a taste of what Jewish prisoners felt like who had to deal with that day in day out. Things like screaming at the prisoners, and the audience, shining bright lights on us, making them dance with their pants around their ankles and beat up one another. He succeeded in his goal--I felt really uncomfortable--but I felt there was no higher message in the play. I think they were also trying to show how people held onto their humanity and dignity, but it was completely overshadowed by the sheer violence. Ah, fringe. I just feel if you're going to alienate your audience, then you're not going to be able to get your themes across.

    Right, I'm off to rehersal for "Hedwig." Have a good night everyone.

    Monday, February 06, 2006

    Escalating riots

    I don't know if anybody has been watching the news lately, but the Muslim community in Europe is up in arms about a series of caricatures that have been published in newspapers. They have been protesting--violently--across much of Europe, burning Danish embassies in Damascus and Beirut. Now it turns out some protestors have been killeds. More information here:http://news.bbc.co.uk/2/hi/south_asia/4684652.stm

    It's shocking because we take our freedom of speech for granted. The cartoons, which I have not seen because the British haven't published them, show the Prophet Muhammed, who is forbidden to be represented by Islamic law. One of the cartoons apparently shows him wearing a bomb in his turban, so you can imagine...These were published a few months ago, and now are being re-run. The BBC came under some fire for showing one on a television report, saying they had to show what was causing all the fuss. And other papers are defending the right to free speech, while saying that they are not publishing them out of sensitivity. Someone made a good point a few days ago: We are fighting for free speech here, and this community is censoring itself, which spirals into the larger argument that the Islamic community (by which I mean the more extreme forms of it) are still clinging to old ideals that include all the worst signs of extremism. By closing ranks and chanting "Death to the newspapers" they are merely confirming Westerner's worst fears. Well, I'd be pissed off too if someone showed my good buddy JC with a bomb coming out of his robe, but I can see where they're coming from. If you give an inch, where does it end? Demand respect for your community, but...don't burn down embassies.

    "They want to know whether Muslims are extremists or not. Death to them and their newspapers." --Mawli Abdul Qahar Abu Israra, a protester talking to the BBC.

    Sunday, February 05, 2006

    bwaaahhhh

    That's the noise I make whenever I see exciting historical things, but I am now having to apply it in a completely new context BECAUSE, last night I went to see a show with my friend Arndis and her husband whose name I can't pronounce and something Very Exciting Happened, which I will now render for you as a script:

    (scene: Nicki, Arndis & Arndis' husband are sitting sipping pre-show drinks.)
    Arndis: Isn't that Ian McKellan?
    Nicki: (turning to look) Oh my God. (her heart rate shoots up to seven thousand) that IS Ian McKellan. (beat) I must go talk to him.
    Arndis. Yeah, right.
    Nicki: No, really! Oh my God. Oh my God. Are you going to back me up?
    Arndis: No.
    (Nicki stands up and shakily makes her way over to where Ian McKellan is standing with his boyfriend)
    Nicki: Excuse me, Mr. McKellan?
    Ian McKellan: (smiling politely) Yes?
    Nicki: (trying desperately not to sound like some a££holey fangirl) I just wanted to tell you that I really enjoyed your performance in "Aladdin"--
    Ian McKellan: --Ah, thank you--
    Nicki: --and I can't wait to see you on the stage again.
    Ian McKellan: (being super-polite) Ah, thank you very much.
    (Nicki runs away, her legs barely able to hold her up and collapses next to Arndis where she takes a huge sip of beer)
    Nicki: Oh my God.

    AHHH!!!!!!!!!! I actually saw/talked to/touched Ian McKellan! Ahhhhh!!!! He was so nice too, you could tell that he was used to people harassing him, and I was determined not to ask him for his autograph or anything like that, but, damn! He looks, I can safely report, exactly like himself, only older. And when he smiled at me, his eyes did that twinkly Gandalf thing we all love so very much. I am so happy! Wheee! The only thing I regret was that I was wearing my horrible jeans and my "Republicans for Voldemort" T-shirt which, alas, was covered up by my manky old scarf. Arndis pointed out that even had I been dressed nicely, I wouldn't have gotten very far, to which I retorted, "I don't want to sleep with him, I want to impress him!" Since, someday in the future when we're working together I want to be able to say, "remember when I made a moron out of myself at the Barbican?" and he would say, "ah, yes, you had that fabulous skirt on." Still happy! And--the show was really top notch as well...I'll have to review it later though because I am too busy floating on air. :)

    Friday, February 03, 2006

    It Pays to Geek

    I just got an email from the curator at the National Maritime Museum who reported: "Apparently, Nelson said to his fellow officer's, 'put my amputated arm into the hammock of the man who died along side me.'" Whether or not that actually happened...we don't know. I suspect it probably went overboard with all the other limbs: I just read a book about a ship's surgeon preparing a barrel to recieve all the severed and amputated limbs that resulted from battle. Kind of makes you realise how much damage a cannonball can do. Ah, well, thank God that's one mystery solved.

    Thursday, February 02, 2006

    Exciting historical documents

    It snowed today...a thin desperate snow that struggled downward and then promptly melted from exhaustion as soon as it hit the pavement, but it's the first snow I've seen all year. Better get the sled out of storage.

    Yesterday I went to the National Maritime Museum again. They had a little talk (very little, it was me, another man and the curator) about some letters written by Lady Frances Nelson to her husband and another man, as well as a draft of a letter from Nelson to Frances-five letters en toto. They are all over two hundred years old and it was absolutely incredible to see something that someone as famous (or infamous) that Nelson actually held. Especially since they covered the period where Nelson and Frances' marriage was falling apart--Frances kept asking what she had done wrong, and Nelson's letter was an attempt to tell her to leave him alone. And THEN, bwaaaaah, the curator actually let me hold the exciting historical document and read it. (or attempt to read it, anyway--at this point Nelson had lost his right arm, and his handwriting was kind of horrible) But it was very, very cool. very cool. very. I tried not to geek out too much, but I think the curator was amused when I asked her if anyone knew what had happened to Nelson's arm. (she said she'd try to find out for me.)

    Tuesday, January 31, 2006

    annulled

    Now the chemicals in my brain have sloshed around to their proper neurotransmitters, and I'm fine. I'm sorry if I got a little heavy-handed. A very genuine sorry. This blog is not the place for me to be venting. So, the last couple posts have been yanked--on the advice of my smart younger brother I went and exposed myself to some Turners--and I'm about to go order "Sweeney Todd" since apparently the stores here have a bias against brilliant Broadway shows and have not seen fit to stock it. All is well.

    Sunday, January 29, 2006

    Happy New Year!

    Welcome to the Year of the Dog! (hmmm...maybe it's a sign: Year of the Dog, I want to get a dog...maybe it'll be this year!) Yesterday I celebrated Chinese New Year with Lisa and her friend Kali and almost everyone in the dorm. We had Chinese dumplings, barbecued chicken, broiled fish, and for desert, glutinous egg rolls, which are boiled balls of rice with sweet sesame (think peanut butter, but with a different texture) in the middle. And Tiger beer, which is a Chinese beer--and apparently brewed on the island of Hainan, which is where Lisa is from. There was SO MUCH FOOD, but it was great. I'm going to have to get some chopsticks though, because I felt like such a farb eating with a fork.

    (farb, btw, is a word I learned from a book I just finished, "Confederates in the Attic." It's a derisive description for Civil War re-enactors who don't go all the way in their reenacting, as opposed to hardcores, who are, well, super-hardcore about it.)

    I was going to go to Trafalgar Square today and watch the parade, but I still have this weird little sore throat which is spreading into my sinuses and applying pressure on my brain. So instead I went to the grocery store and thought, as I was passing packets of pre-mixed pie crusts, "why would I buy some shepard's pie mix if I can't sprinkle actual pieces of shepard on top?" and then I had to smack myself into remembering that I'm not actually in Sweeney Todd. I blame the odd little sickness, so I bought some paracetomol. Take that, odd little sore throat. I also bought some Haribo gummies, which aren't medicine, but do taste nice and coat the throat. Mm. I feel so optimistic.

    Saturday, January 28, 2006

    Far too much free time

    I arrived at the library this morning to work on a presentation for Monday, so I've spent the last two hours surfing for musicals of the 1970s. No, no! Really, that's my assignment--musicals of the 1970s. So I just rehashed everything I knew, ignored Grease and Annie, as I usually do, engaged in a little Lloyd-Webber bashing and tada! Mission accomplished. (Dear Andrew Lloyd-Webber. I think your musicals from the 70s, JC Superstar and Evita were probably your best. But now, you pretty much suck. And I loved Phantom when I was younger. But if it runs for another 20 years, I will have to form an army of theatre-ninjas and burn the theatre down, because that's just selfish, that is. If you don't write a better show, I will publish unflattering pictures of you. And there's more where that came from! Love, Nicki PS: Sunset Boulevard was cool too-even if it only had two songs in it.)

    I am in a much better mood today, probably due to the sun! yay! the sun, even though I have a weird little sore throat and a weird little headache, but I Refuse to Get Sick. And, I second the views of Sam "Guinea Pig Slinger" Fromm--people who don't update their blogs also suck. Since I don't talk to most of you-all on a regular, basis, that's where I get my news from, so take five minutes and write, damnit.

    I would also like to draw everyone's attention to the fact that the new version of Sweeney Todd comes out in three days, so soon I will be able to listen to almost two hours of Michael Cerveris goodness without having to dial around on my iPod. Yayyy! Very excited. Haven't eaten in a week so I can save up enough money to go buy it the DAY IT COMES OUT. Hopefully they will have it here as well as in the States...if not, don't worry, you will all know about it, I am sure. But who is this Michael Cerveris, you ask? Well, never fear, I will find a picture of him for you...let's see, I'll just google "michael...cerveris" and...holy crap, who the heck is that? And why did he come up with I was looking for Michael? Damnit...

    okay, well, that's not a very good picture...actually, teehee, it's a VERY good picture, but, ah, this blog is supposed to be rated PG13...




    The caption assures me Michael's in there somewhere...but...can't see him. Titanic poses a huge challenge, ladies and gentlemen: the only show I seriously considered walking out of is also one of the few shows with Mr. Cerveris on it. Do I somehow overcome my loathing of the show with my love for Michael? The jury is still out...


    Stephen Sondheim! What the hell are you doing here?! Great, now there's going to be a cage battle on my blog...



    All right, all right, I'm done...crazy what a little goolging can lead you to. Actually, MC is older than he looks...I honestly don't know that much about him, except that he's a DAMNFINE actor and a DAMNFINE singer. Honestly. Totally professional respect for another theatre person. Totally professional. Totally.

    Friday, January 27, 2006

    A New Discovery!



    This is a picture of the Deptford Town Hall, about five minutes away from the library here at campus. This is where Nico and I performed our final piece--downstairs in one of the bathrooms. It was built in 1905, and the bathrooms were probably period. Today, as I was passing by, I looked up and noticed that there are actually four scuptures in between the windows on the second floor! Then above that, on the triangular pinnacle thing, there's a scene of a naval battle--and above that is a weathervane in the shape of a ship! If you count from right to left, one, two, three, that's a sculpture of Nelson. Who the other three are I have no idea, probably other navy guys, since this area is heavy into the Navy. (Goldsmiths itself was started as a naval school for the sons of officers) Just goes to show what you see when you look up! Such a pretty building.

    Wednesday, January 25, 2006

    Afternoon tea

    Lisa and I went out this afternoon, and we had afternoon tea...not the traditional tea, the way you think of it, but Chinese dim sum, where you order little dishes of things, and then you share. So we had bao, which are little round balls that tasted similar to thick angelfood cake stuffed with pork, prawn dumpling soup, sponge cake, pork ribs and chicken paw. Yes, chicken paw, as in "the foot of a chicken." Lisa ordered, since the menu was in Chinese, and when she took the lid off the pot, I couldn't believe it: there it sat. A chicken paw. Lisa said, "if you don't want it, I'll have it," and I said, "well, I'll try anything once," so I ate it. It was kind of...salty and rubbery, didn't taste anything like chicken, and there were lots of little bones. After I finished it, Lisa mentioned that chicken paw was one of her favourites, and I said, "I thought you were just being polite! Next time I'll let you have it!" On the list of weirdest things I've ever eaten, chicken paw is definitely at the top.

    We were in Chinatown so Lisa could buy food for the Chinese New Year, which is this Saturday. She's cooking dinner, and then we're going to the parade on Sunday. Chinatown is kind of hidden behind Leceister Square--if you find it, or you know it's there, it's very easy to find, but it's also kind of hidden. So when we came around the corner and saw all the lanterns and decorations for the New Year, it was extra-special pretty. Of course, dim sum was a long time ago, and I'm getting hungry again. I think this time I'll have a hamburger--I've been exposed to enough culture for one day. :)

    Later tonight I'm going to attempt to see Amato Saltone again...this time I'm bringing a flashlight. Wish me luck!

    Tuesday, January 24, 2006

    Blank Verse

    I just want to apologise for the weirdness that my blog wandered into yesterday. I have promised myself no more musical theatre quotes, because people probably wouldn't know that the question of "Company" is "should I get married?" which merges in my mind into, "Should I commit my life to the theatre?" and people read it and think I'm going funny in the head. Anyway. Have spent the past couple days feeling very bored and lonely, mostly because I've been reading, writing, walking and spending lots of time by myself thinking. Ostensibly about my final project (of which there are currently five contenders) but usually about What I Want to Do With My Life. And listening to music, which then gets mixed up into my real life in my imagination, until half the time I'm walking around thinking about myself as a character in a play.

    But, boredom will soon come to an end, since I have things planned for the rest of the week, not to mention Tony-award winning plays to pen. Today I spent in the coffee shop again, working on letters and writing. Here's a sketch that I knocked out while I was there:

    Yup, another self-portrait. I just don't feel right doing other people...wouldn't want to presume to know what they look like. You'll notice the new yoga hoodie. I'm kind of scrubby today. Bored and scrubby. But at least I managed to get out of my room and enjoy the London sunshine. I never thought I'd be bored in London--but I am. Just have to get on over to the ol' Imperial Museum, I guess. :)

    Monday, January 23, 2006

    And that's what it's all about, isn't it?

    Aaargh! More Sondheim! I can justify it, promise--we studied "Company" in class today, which means that I had to watch a production of it for homework. (whoohoo!) Here's a picture from the Donmar revival in 1996 that I watched. (directed by Sam Mendes, who just did "Jarhead" starring Jake Glyllenhal who made out with Heath Ledger who is in "Casanova" which is a film being made by the main character in "Nine" so you see it really does all come back to musicals)




    I thought that having Bobby being played by a black person was an interesting choice, especially since the rest of the cast (with the exception of Harry) was white. So not only is Bobby having angst because he's not married in a world which desperately wants him to be, he now appears to be struggling against a racial divide as well. (as opposed to Harry, who has married a white woman and "conformed.") I'm sure that's not what the director intended, but, as we all know, what makes it into the script and what the audience gets are wildly different things. :) The second picture is of Amy. I just LOVED this costume design--the dress ends at about her knees, and is reminiscent of a little girl's dress, which complements her childish "crazy" attitude perfectly. You go, Donmar!

    I went to another party this weekend, this one in the City. It was less fun than the first one, because the men there were positively predatory. I did enjoy myself, but it was weird having guys paying attention to me! Usually I go to dance and I'm not molested--this time I was beating them off with a stick. It's a very weird feeling. I don't know if I'll go back to this party: the group that was putting it on charged more, there was no food this time, the drinks were more expensive, and the party ended early because someone punched a (female) bartender. I don't regret going because I got to hang out with Deb, and I did meet SOME interesting people, but overall, I think I prefer the Livin' it Large party. Of course, now I have no money for theatre tickets, so I won't be seeing anything this week, and that cannot continue to happen. That's what it's all about, isn't it? Theatre? Marriage? Theatre? Marriage? You see what you look for, you know.

    Saturday, January 21, 2006

    the sun! the sun!

    See? I haven't forgotten my classic roots, even if lately I've been spending a lot of time in the 60s and 70s. :) Yesterday I had another yoga class, but this one went a little easier. The positions were easier because I knew what was coming, so now it's just a matter of getting that leg out a little further or bending over a little more. I remember this guy I knew in high school who was all gung-ho about going to the Citadel or some damn place where they made you hold your arms out straight and then put an AK-47 on your wrists and you had to hold it up until your arms dropped from exhaustion. There's a pose we do that is similar, the point being of course to strengthen our bodies and relax our minds, instead of training us to kill people.

    Last night some friends and I went out to see a movie, but we got there too late, so we ended up going to Arbuckles, an "American-style" restaurant that served hamburgers, albeit with chips and salad instead of fries and "screw you, you're not getting a salad!" You could tell it was an American restaurant, because the first thing you saw when you walked in was a huge relief of Abraham Lincoln on the wall which made me laugh really hard. Nothing says America like Honest Abe, I guess. They also had a mural with a picture of Mount Rushmore, which prompted me to lecture on President Jefferson's hypocrisy for about ten minutes. Nevermind the fact that most of everything I know about the founding fathers has come from two sources: this book I'm reading, "Freedom Just Around the Corner" and the musical 1776. (yes, there's a musical about the Declaration of Independence, and I have it.)

    Anyway, I now have some people here in London who read my blog, which means I can't complain about them anymore. Just kidding, guys! Welcome! :)

    Wednesday, January 18, 2006

    'tis your delight, sir, catching fire...

    You are all going to think I have nothing better to do than sit around and watch musicals when I tell you what I did last night. I finally sat down and watched the 1979 version of Sweeney Todd, and then for good measure I watched Act 2 again this morning before I wrote a play. (yes, a play. A whole play.)



    Here's a picture of George Hearn who played Sweeney in another one of his famous roles, this one La Cage Aux Folles--or the Birdcage. He was so good in Sweeney that I'm delighted to learn I already have him on my Sunset Boulevard soundtrack. Rather similar to how I was delighted to learn that Michael Cerveris is on my Tommy soundtrack (as a matter of fact, he's Tommy). The fact that both these men sound weird on these CDs that I have already does not daunt me. They are good and must be supported. Even if George Hearn did do the Barney movie for some reason. (I'll support him, but I'm not watching the freakin' Barney movie.)

    Anyway. I have been very, very bored these past couple days. Having handed in my essay, I find myself with nothing to do but climb the walls. Maybe I'll go look up some pictures of Michael Cerveris...

    Tuesday, January 17, 2006

    Money things

    Last night I took my iPod for a walk, being careful to stick to the "high streets"--ie, streets with stores, people and traffic. I only got lost once, but then I followed one of the buses and pretty soon I was back on familiar ground. While I was out walking, a woman came up to me crying and asked me for some money for baby formula, saying that her child hadn't eaten in five hours. It was heartwrenching--and I would have given her some money if she hadn't pulled the same stunt two months ago. (and if my floormates hadn't encountered her as well) Clearly something has caused her to end up in this situation, and she needs help, but not a handout from me. I remember when some of us were in Chicago and we gave our leftover pizza to a homeless person instead of money so he could eat, but not go out and buy drugs or alcohol. I am not insensitive to people living on the streets or people living in poverty, but begging is not the answer. There is a magazine here that is written specifically to be sold by homeless people called "The Big Issue," and they have to buy it and sell enough copies to make a profit. I bought one coming out of "Brokeback Mountain" the other day. The gentleman was very nice and we chatted a bit about how it "wasn't the cold, it was the rain." I let him keep the change. I feel mixed up about it. On one hand, I hate people who are just begging, but then, I feel like making people busk or something is demeaning. But then, I gave some money to a woman who had created a life-sized chalk drawing of Leonardo's "Last Supper" outside the National Gallery. (gotta support the arts, right?)

    Then, on the flip side of this coin is the fact that I have been starting to think about getting a job. I even passed out a bunch of resumes to West End theatres. (I love London. I printed out 15 resumes, and handed them out to 15 different theatres in two hours) I paid my rent this semester--it was less than last semester because part of my tuition check paid for it, but it's still money, money, money. I'm not coy: I want a job so I can go shopping, go to the theatre, eat out more. My school is paid for, but I want to have a good time too. Yet, how can I say that I want a job so I can screw around in the big city when there are people "sleeping rough?"

    Sunday, January 15, 2006

    ow

    Yesterday I was feeling extremely sore from the yoga class, but that didn't stop me from going to Surrey Quays and going to see "Brokeback Mountain" or, as some have referred to it, "The Gay Cowboy Movie." Let me put the record straight (no pun intended): the two main characters are the straightest men on the face of the planet. They just happen to be in love with each other. But both of them are so hyper-masculine that at points I was feeling a little alienated myself. As for the fabled romantic, passionate, tender makout scene by the campfire? Doesn't happen. All the girls in my dorm were squealing at me: "Don't tell us how it ends! We haven't seeeeen it!" Whose fault is that for not finishing your essays? Sheesh. I will say though, that my ABSOLUTE FAVOURITE moment in the movie was where (*spoiler alert!*) the mom hands Ennis the bag with Jack's shirt, and Jack's dad is ranting in the background and his mom just has this LOOK on her face. Broke my heart. Anyway, better heads than mine have reviewed this movie, so I'll move on to Part Two of yesterday.

    (oh, I also broke down and bought some new pillows. After realising how much better proper neck support is when sleeping at home, I decided to get some new pillows, hang the cost.)

    Then last night I went to a party that was put on by a group called "Lovin' It Large" which was for "big people and their admiriers." This was a foolish thing to do, in hindsight, because apparently dancing uses the same muscles as yoga, so now today I am TRIPLY sore. When I got there, the nice lady at the door was like, "what! your first time and you came alone!" and immediately introduced me to Deborah, who bought a bottle of red wine and was regaling me with stories of all her boyfriends. "My youngest has been 24," she told me, "but usually they're in their 30s." (she's almost 50) Then her friends showed up and they all grilled me about the normal: where from, what doing, why here, how do you like London? and we had a great time! The music was loud and occasionally obnoxious, but I had a fantastic time dancing. Didn't meet any guys, but Deb gave me her number, bawling "we're going out next weekend!" We'll see if I can recover by then. Taking the night bus took over an hour--luckily I had Samio on speed dial so I could talk to a friendly face whilst I was busing. Then some jerk fell asleep on my and I was forced to wake him out of his reverie and inform him that, he was "kind of a jerk, you know that, right?" On the way home I tripped and (rather than lose my grip on my phone!) fell knees first onto the pavement and skinned both of them like a ten year old. They really hurt! So, let's do the list:
    1. Yoga class of DOOM
    2. Dancing in boots all night
    3. Skinned knees
    4. Headache
    If I go to more of these parties, I'm going to winnow myself out, since I think I lost about ten pounds last night. I was one of the smallest people there and therefore could dance for longer. That probably explains why I'm busily blogging instead of printing out a final draft of my paper. :)

    Friday, January 13, 2006

    Yoga class of DOOM

    I just finished with a yoga class, New Year's resolutions be damned, and now I feel like I've just been put through the wringer. It was a very intensive yoga class--I've never broken a sweat before--but much to my amazement I was able to (mostly) keep up. The only pose I had a problem with was the shoulder stand. The teacher said: "okay, on your backs, then feet up in the air and onto your shoulders" and my body kind of sniggered and went "yeah right" and the next thing I know this guy has me by the ankles and is like, "okay? ready?" and the NEXT next thing I know my feet are hovering about six inches above my face. (this is a good thing) I've always been flexible, but I haven't done anything like this since I was about ten, so I was quite surprised that I could still do it. My hamstrings, however, which have been largely ignored up to this point, are screaming to be left alone (in much the same way that the American colonies were in the 1760s--I'm expecting a Declaration any day now) and my wrists are sitting quietly in a corner, whimpering to themselves. :)

    Not much else going on. I'm reading a fantastic American history book what I bought back in Green Bay (and, since I dragged it all the way here, I figured I better read it) called "Freedom Just around the Corner" which is why most of my dialogue is peppered with random historical facts all of a sudden again. And The Essay is nearly done. Infact, when I finish up here I'm going to finish the bibliography, edit it once more and hand 'er in. Yesterday my class went to a staged reading of a new play that was pretty good. The poor producer wanted to know what we-all thought, but all I could think of was "must pick her brain to know how to start own theatre company..." so I'm afraid I wasn't much help. Tomorrow I'm planning on going to see this "Brokeback Mountain" I've heard so much about. No breeches or periwigs, so I can't promise I'll like it, but I'll try.

    Wednesday, January 11, 2006

    quickly



    I spent all day (literally) yesterday working on The Essay, and now I'm running back to the British Library, but I thought you might like to see my new Self-Portrait what I painted while I was home.

    Tuesday, January 10, 2006

    The British Library

    I tripped on over to the British Library yesterday, excited to wander 'mongst the stack of historical books, gaily trailing my fingers over the dusty tomes as I searched high and low for that final book that would put the pin in my essay. But, alas, the British Library does not trust me (me!) to touch their preciouses. In order to even look at a book, you have to fill out a request form on the computer and then wait an hour until a lackey brings you your required material. And you can only bring pencils into the reading rooms. It seemed a very fascist way to keep track of books, until I realised that they had an original 1866 copy of a penny dreadful "the Conspiracy!" and I could look at it as long as I didn't get too excited. (and not yesterday. Yesterday I was on a mission.) So maybe there is something to be said for protecting a collection. Not that I would have broken the spines or anything...

    Anyway. I also went to the University of London's library, Senate House, which was a lot farther than it looked on the map. And I did something weird to my foot. It feels like I sprained a bone right on top, so I can't really bend it. Going down stairs is a hellish experience. This can only work in my favour, as I'm planning on locking myself in my room tonight and working on my paper until it's finished. But, damn, it really hurts.

    I also accidentally missed the first day of class yesterday. Here is my train of thought: "I have not yet handed in my paper for New Contemporary Theatre-->therefore, we still have this class. I show up to the class, no one is there-->the teacher must have cancelled the class so we can work on our papers. Excellent, I will go to the library." Not so. Turns out we have started our new classes, which means my first email to my new prof is, "sorry I missed your class." And it's the musical theatre class too! I got the syllabus from a roommate--here I was all excited about buying more shows to add to my collection and it turns out! I already have most of them. :)

    Saturday, January 07, 2006

    There's no place like London

    I find myself quoting "Sweeney Todd" a lot these days--and not just because I finally sat down and listened to the whole show.* But there really is no place like London. It's not brilliant, it's not a slimy hellhole, it's just...there's no place like it. Haven't managed to get back to Trafalgar Square and make sure Nelson is okay yet.

    I stumbled off the plane about 10:30 and got to London Bridge just in time to not catch a train home. A train ride from the London Bridge station is about fifteen minutes to home, but I spent about two hours on various buses getting closer and closer until finally I could walk. While waiting at one bus station (surrounded by other women and lights, mind you) this jerk kept saying, "where you going? I can give you a ride!" Listen buddy, how stupid do you think I am? Just because I have an American accent and a suitcase, do you really think I'm going to get into a car with you? Aargh. I had only gotten three hours of sleep the night before, so when I finally got back to Raymont Hall, I had a little ramen, a little shower...then sat on my bed for an hour going "sleep, damn you, sleep!" I have never gotten jet-lagged before, but this time I had this horrible hangovery headache all day yesterday and again I couldn't get to sleep. And I am so dehydrated. Luckily the only cure for that is tea, lots of tea, mmm sweet, sweet Twinings, which tastes different in the US, it really does.

    So, after spending yesterday resting and going to the grocery store--a two hour trip which completely sapped my strength. Which kind of bread do I like again? I forgot--I'm finally at the library. Ostensibly I'm here to do research for my essay, but an hour into my visit I'm still hunched over a computer. :) If you've emailed me, I'm sorry, I will respond tomorrow, I promise. It was great seeing everyone. Come visit me. :)

    *never saw the ending coming!!! OMG!!!

    Wednesday, January 04, 2006

    An Open Letter to the Jerk from the Subway Commercials

    Dear Jared,

    I'm writing this letter to you after I saw you in a new Subway ad this evening. How could you? I supported you, you know, when you lost all that weight. I knew how much it affected your life, being that heavy, and how you needed to be thinner to be healthier and have better self-image and I supported that. I thought you felt the same way about me. But apparently not! Because tonight in the commercial you said that "everyone wants to lose weight this time of year." But I don't Jared. I'm very happy the way I am. I would go so far as to say--I love my curves! And I thought that you loved them too. I thought you understood how I was happy being fat and healthy, and would never insist that I slim down for you. But now I see that I was mistaken. Now because you've joined the ranks of the skinny, you feel as thought you have to pressure all your fat friends into being skinny too. Well, I refuse! I'm going to miss all our times together and all the free food you got from Subway, but I think maintaining a healthy body image is more important than starting a diet which is doomed to fail. Love me, love my roll, Jared. When I think of the countless Americans who are throwing their hard-earned money at the diet companies just to feel as though they have some control over their lives instead of using it for something more important*, I feel sick. I thought you understood when occasionally I got the meatball sub instead of the veggie sub. When I put cheese on it. I'm from Wisconsin, Jared, I have needs too! But now I see you don't respect my choices and I'm just going to have to learn to live with the fact that we won't be compatible. Well. I hope that your skinny little life is as fufilling without me as it was with me. Somehow, I don't think it will be.

    Yours, Nicki

    *Theatre tickets